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Gagosien Quarterly

November 17, 2021

Sally Mann: Vinculum

Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Artwork © Sally Mann; video: Pushpin Films

Five white objects lined up on a white shelf

to light, and then return—Edmund de Waal and Sally Mann

This fall, artists and friends Edmund de Waal and Sally Mann will exhibit new works together in New York. Inspired by their shared love of poetry, fragments, and metamorphosis, the works included will form a dialogue between their respective practices. Here they meet to speak about the origins and developments of the project.

Roe Ethridge's Two Kittens with Yarn Ball (2017–22) on the cover of Gagosien Quarterly, Spring 2023

Now available
Gagosien Quarterly Spring 2023

The Spring 2023 issue of Gagosien Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

Sally Mann and Benjamin Moser

Sally Mann and Benjamin Moser

During the 2022 edition of Paris Photo, Sally Mann and Benjamin Moser sat down for an intimate conversation as the first event in Gagosien’s Paris Salon series, initiated by Jessie Fortune Ryan. In light of Moser’s Pulitzer Prize–winning biography of Susan Sontag, Sontag: Her Life and Work (2019), recently translated into French, the two discussed the power and responsibility tied up in their respective practices of photography and writing.

Sally Mann and Edmund de Waal at the Frick Collection, New York, November 8, 2019.

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

In Conversation
Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Gagosien Quarterly Spring 2019

Now available
Gagosien Quarterly Spring 2019

The Spring 2019 issue of Gagosien Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Sally Mann: A Thousand Crossings

Sally Mann: A Thousand Crossings

Drew Gilpin Faust discusses Sally Mann’s landscape photographs of Antietam, a site that more than a century ago bore witness to one of the bloodiest battles in the American Civil War.

Gagosien Quarterly Spring 2018

Gagosien Quarterly Spring 2018

The Spring 2018 Gagosien Quarterly with a cover by Ed Ruscha is now available for order.

Sally Mann: Remembered Light

Sally Mann: Remembered Light

Edmund de Waal and Sally Mann discuss Cy Twombly’s relationship to photography, Mann’s pervasive interest in the American South, and the context behind her newest body of work.

Sally Mann

In Conversation
Sally Mann

In Sally Mann’s new memoir Hold Still, her lyrical prose and startlingly revealing photographs make up an original personal history that has the page-turning drama of a great novel. In this interview with Derek Blasberg, she reflects on discovering family history, her relationship to criticism, and why she will never leave Virginia.

Ashley Bickerton's studio

The Importance of Elsewhere: on Ashley Bickerton

This documentary film includes footage of Ashley Bickerton as he gives a tour of his Bali studio during his final year, as well as interviews with artists Matthew Barney, Mark Dion, Damien Hirst, Jamian Juliano-Villani, Jon Kessler, and writer Paul Theroux.

Sarah Sze, Timekeeper

Sarah Sze: Timelapse

In this video, Sarah Sze elaborates on the creation of her solo exhibition Timelapse, on view through September 10, 2023. The show features a series of site-specific installations throughout the Solomon R. Guggenheim Museum, New York, that explore her ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world. In Sze’s reimagination of the Guggenheim’s iconic architecture, designed in the 1940s by Frank Lloyd Wright, the building becomes a public timekeeper reminding us that timelines are built through shared experience and memory.